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The History of Spode and Minton
Josiah Spode I,
1733-1797
Josiah Spode, a sometime learner of the great Staffordshire potter, Thomas Whieldon, and proceeded by his son Josiah Spode II. Josiah Spode I created a factory in 1761 in Shelton,and another in the town of Stoke in 1764.
He built up a highly successful commerce, 1st in cream ware (a slight cream-colored earthenware) and later (from 1784) in jewelry ware (fine white-glazed earthenware) transfer-printed in blue; his son, also exercised as a potter, ran the firm's storehouse in London. Josiah Spode II led the development of bone china, which became the criterion English porcelain body from about 1800 along.
Spode's 2 noted contributions to the Pottery Industry were the perfection of migrate printing in 1784 and the evolution of nice bone china in about 1799. (although bone china is a porcelain it is always referred to for bone china) The successful evolution of bone china along the Spode factory by Stoke-on-Trent (nigh 1770-present - the accurate date the factory was stared is no known), for wares of outstanding pulchritude and economic in the Regency style of the early 1800s, assured its preeminence amid advertisement makers.
Spode's nearest rival was Minton (1796-present), outstanding in the Victorian period for its "art" porcelains. Among Spode's main fanatics in producing bone china for the hunk mart were Davenport (c. 1793-1887); Wedgwood for a short period among 1812 and 1822 (Wedgwood afterward re-introduced bone china production, and they continue creation today); Ridgway, New Hall, and Rockingham. A host of lesser cares served the inflating middle-class mall.
Spode created many of his patterns afterward Chinese designs, he developed a extremely telling usage of transfer typography with blue under glazes. He also experimented with a transparent yet durable bone china,[link widoczny dla zalogowanych], arriving at a formula that is still secondhand. His son Josiah Spode II, 1754?1827, took over the pottery factory in 1797. He is credited with having introduced feldspar into Spode ware and for producing pottery of a tall technical excellence. Spode remained at the forefront of bone china and stone china production until 1833, while the factory was gained by William Taylor Copeland and Thomas Garrett: it remained beneath their labels until 1847, when Copeland became the sole owner.
Tomas Minton
1765-1836
Thomas Minton founded his factory in 1793/6 in Stoke-upon-Trent. Minton was Spode's nearest rival.
He was famous for Minton ware - a cream-coloured and blue-printed earthenware majolica, bone china, and Parian porcelain; his factory was outstanding in the Victorian time for its "craft" porcelains. He too popularized the famous so-called Willow pattern.
Herbert Minton, 1793?1858, succeeded his dad as head of the firm, and to him was due its development and reputation. He enlisted the services of talents and versed artisans.
The first productions of the Minton factory were blue transfer-printed wares, but in 1798 bone china (porcelain embodying bone ash) was introduced, with considerable success. Until 1836, when Thomas Minton died and his son Herbert took over the business, the factory's staple products consisted of serviceable and unpretentious tablewares in drew or printed earthenware or bone china, following the typical shapes and decorative patterns of the period; diagrams and ornamental porcelains were made increasingly from the 1820s. In the 1820s he started production of bone china; this early Minton is regarded as comparable to French S