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A prominent example is his painting ‘The Sofa,’ which has been described by Rachel Cohen as “intense, raw and explosive.” It was painted from 1894 to 1896 with oil on cardboard. This method of painting is important in understanding the piece as Toulouse-Lautrec was well known for quick sketching in pencil, coloured chalk, or gouache. The fact he used oils, which are slower drying and painted over two years implies that he intended this work to be more lasting. Toulouse-Lautrec once said, “To me, in the colour green, there is something like the temptation of the devil.” The green of the background and the strokes used resembles grass. The idea of a garden and grass is often paired with an idyllic place. This emphasizes that the lovers could be escaping in each other, perhaps to a happier place. It is unknown whether certain distortions and inaccuracies were intentionally painted, nonetheless the women do not seem to be phased by being painted. Perhaps this is because Toulouse Lautrec painted them in his own studio as opposed to where they worked, thus the pressures of being a prostitute dissolved. What seems to be the purpose of the painting is to show these women for who they are, not how people perceive them. The cardboard has also affected the image of the painting. It shows through as a bare, matte brown. This suggests that this is a time and place of poverty. Henri de Toulouse-Lautrec was a French Post-Impressionist painter, lithographer baby bags clearance, and illustrator, most famous for depicting images of Bohemian Paris. His paintings mainly consisted of prostitutes, courtesans and the performers and patrons at the nightclubs of Montmartre. A significant feature of Toulouse-Lautrec’s paintings is that he illustrated truthful images of prostitutes. He neither glamorised nor stereotyped these women, which many other artists have been known to do. He showed them as people rather than women of ill-repute. The Two Women in 'The Sofa' This emphasizes the idea that here at this moment, they are neither performers nor prostitutes. They are two women in love. Furthermore the distortions suggest that he is concentrating on the meaning of the painting as opposed to the technique and accuracy. The colours he has used are quite dull Baby Handbags clearance, which perhaps suggests that these women are living in poverty. However, the huge contrast between the dark black stockings, the red hair of the girl behind and the rest of the painting implies that they can never escape prostitution. Their only salvation appears to be each other. Indeed at the time this was painted many female prostitutes had women lovers and partners who were also prostitutes. This is perhaps because they had an understanding of each other as emphasizes by the way the two in ‘The Sofa’ are deeply gazing into each others eyes. The way the women in front is stroking the redhead’s hair suggests that they are in love. 'The Sofa' Read on Discover Albi in South West France Holiday in Albi, France in Western Europe Jules Pascin French Painter Colours in 'The Sofa' Aside from the technical elements of the painting, even though this is a simple piece, it evokes numerous emotions. One is a sense of the brutality that these women have suffered. The way the The two women, who were lovers and prostitutes, lie on a green sofa. The woman closest to the viewer, called La Gabrielle, lies on her back wearing a pink night gown. The woman lying behind is on her side with a crooked elbow and her head resting on her left hand. She wears a blue shirt and has firey red hair. They both lie together in a sexual position, entwined together. |
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