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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Autor</th> <th class="thCornerR">Wiadomość</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>manv1jdcgh</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/Aniseed/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Wysłany: Wto 11:08, 24 Maj 2011<span class="gen"> </span> Temat postu: climate max windCan Your Tattoo Help Save the air</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">Tattooing has all been about story-telling. Documentary photographer Chris Rainier <a href="http://www.airmaxways.com/nike-air-max-97" target="_blank" class="postlink">air max 97</a>, who spent seven years on seven continents preparing mighty images of body art (Ancient Marks. San Rafael: Aware <a href="http://www.airmaxways.com/nike-air-max-2003" target="_blank" class="postlink">Air Max 2003</a>, 2004), correlates it to the tradition of "shaping" stories along changing the Earth's landscape (for instance, as the Aboriginal people "pulled" Dreamtime from the Australian outback). The rind, Rainier argues, is a sacred geography, "the interface between the internal and the external, the intimate and the infinite". In this sense "the human form is the original landscape of itself". <br />Body Art: From Rebellion to Affirmation <br />So too, some would dispute <a href="http://www.airmaxways.com/" target="_blank" class="postlink">nike air max 2009</a>, with the people body. In Flash Art alternatively Mind-Body Connection (a narrated Suite 101 story), a distinction is made between tattoos for uncomplicated elaboration, something you might elect up ashore the street, and premonitory tattoos, procured with esteem as their cultural origins and the significance of the tattooing process. <br />New Zealand natural carve artist Martin Hill works in leaves, rock, water, world, berries, sand, snow and sunlight to give shape apt his circle and spiral motifs, expressing the cyclical specific of ecology (versus the linear aspect of many that is man-made). "My matters get cracking the Earth", he observes, "to which they return harmlessly after use". <br />Tattoos and Connection <br />An increasing digit of artists are embracing the interdependence theme. Artlink Magazine has dedicated an publish to Australian "eco-warrior" artists (such as Chris Mulhearn) whose work "communicates the urgency of action on climate change". On a alike theme, the Suite 101 article New Zealand Art Exhibit About Environment and Society describes a touring exhibition mounted by the Natural World Museum in partnership with the United Nations Environment Programme, "Moving Towards a Balanced Earth: Kick the (Carbon) Habit. <br />Artists Fight Climate Change <br />Karl-Hendrick Robert, in an composition in Martin Hill's book Earth to Earth (Auckland: Hodder Moa, 2007), blames many of the environmental hazards facing the Earth on humanity's "gradual detriment of meaningful stories" which "leads to a dwindling of viewpoint". Artists, he observes, absence to reinforce a message of "connectedness ,and why we absence nature and each additional". <br />The art and mores of tattooing has come a long way. As recently as 1989, sociologist Clinton Sanders (Customizing the Body. Philadelphia: Temple University Press) famous just the start of a change in the prescience that body art was a stigma marking social deviants. &quo <br />Read on <br />How Art Communicates <br />What are Literary Tattoos? <br />How to Choose Font for a Tattoo <br />The connections between story-telling, the earth's physical devise, and body art are highlighted in Rainier's book, in which human their faces, figures and hands, standing strong or reading voicelessly are characterized in their natural contexts. Often the collaterals between outlook sterile and harsh, or lush with tropical plant are reflected in tattoo designs. For example, an Angkor Watt priest, 1 of few survivors of the Khmer Rouge purges, appears with his Buddhist and Khmer-influenced tattoos to reverberate a sacred sculpture sculptured into the rock backward. <br />Rainer describes the "pearly wizardry" tattoos of some Buddhists in South East Asia, made with palm fuel prefer than ink. These invisible bodymarks are "secluded yet enduring talismans offering protection from dangerous forces that haunt the eclipsed jungle". Such art would represent the antithesis of the tattoo as commodity or private adornment.</span></td> </tr> </table></td> </tr> <tr> <td colspan="2" height="1" class="spaceRow"><img src="http://picsrv.fora.pl/Aniseed/images/spacer.gif" alt="" width="1" height="1" /></td> </tr> </table>
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