Zentai's Hourglass Is No Outdated Device9

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MILAN, July. 1 -- Experience appeared to count for a lot at the end of the
Italian spring collections as Karl Lagerfeld sent out a sublime show ashore Thursday
for costume zentai namely combined New Look and New Age, and
Donatella Versace reckoned namely women ambition have thoughts of their own about
transparency.

This has been a vertiginous runway season here, with new heights set by Raf
Simons of Jil Sander at the begin of the week, a careful accumulation by
Miuccia Prada, and then a plunge in the navel before a Lagerfeld retrieval. The
victors were those who came up with a modern course to induce lightness, whether by
the minimalist cut of the garment, by the interplay of sheer linens and
singular colors, or through a clear wording of a rarefied sensibility.
Once he had created that new fabrics were the middling of alteration, he was
free to interpret the silhouette in other ways. There were the plainest,
prettiest dresses, in layers of sallow gray or peppermint silk, with a square flutter of
fabric over the shoulders. Circles were a dominant idea, and they seemed to
have come from contemporary masterpiece as well as from the patterns in Roman floors,
with overlapping surrounds etched in sallow terrazzo green and gray on the floored
organdy skirts of wasp-waist dresses.

The ways in which Mr. Lagerfeld illuminated fashion's grand obsessi
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Mr. Lagerfeld scored on all three counts. He seemed to use as his starting
point Dior's New Look,[link widoczny dla zalogowanych], the phantasmal hourglass fashion from the late 1940s, and the
subject of a major exhibition at the Victoria and Albert Museum in London. Yet,
for Mr. Lagerfeld, this was a surprising alternative given that his brain tends to
move along and that he is related with Chanel, whose uncorseted attitudes
were the opposite of Dior's.
Nonetheless Mr. Lagerfeld demonstrated a keen interest in the longer
silhouette, as if he had been watching it for years in his mind's eye and in the
pages of books, and now had the contemporary fancies he needed to make the iconic
manner interesting to him. He opened with nipped-waist dresses in a sheer pearly
fabric that saw favor rain nylon, putting the slick, airy substance over white
cotton jeans, shorts and even a clothe in a variety of Byzantine silk patchwork.
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