Nike Dunks Women Antique Lamps - A Jasper Accent L

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English county of Staffordshire is synonymous with the production of porcelain and pottery. Staffordshire is uniquely positioned with all the potting clay and the plentiful water supply necessary for the manufacture of fine ceramics.
Potting in Staffordshire has had an uninterrupted history of over 300 years, with many household names originating from, what were often, very small, family potteries. Principals amongst these are names such as Wedgwood [link widoczny dla zalogowanych], Minton and Spode, many of these famous names now amalgamated into large international companies.
In 1775, Josiah Wedgwood developed and refined solid coloured jasper ware and introduced it to the market and it is his name that we normally associate with ceramic jasper. Natural jasper is a naturally occurring opaque quartz; red, yellow [link widoczny dla zalogowanych], brown or dark green in colour, used for decorative ornamentation and polished as a gemstone.
Captivated by the antique Roman intaglios and medallions carved in this semi precious stone and with typical determination, Wedgwood worked tirelessly to replicate jasper as a ceramic body.
He is known to have experimented with numerous systematically recorded trials and the trial tiles of coloured jasper with his carefully written notes are held today by the Wedgwood Museum Trust.
By 1774, Wedgwood wrote with great satisfaction, that his new jasper ceramic body, in fact, white stoneware, could take any tint of fine blue, from dark Lapis Lazuli to the lightest Onyx.
It is around this time that we see jasper appearing cut, polished and set like gems in a wonderful range of rings, buttons, lockets and bracelets. The great 18th century English furniture makers soon began inlaying jasper medallions into cabinets, writing tables and bookcases.
Wedgwood, of course, is the big name when it comes to English pottery and porcelain, but, as mentioned, Staffordshire was the hub of English ceramics with an estimated number of 150 factories [link widoczny dla zalogowanych], large and small, operating in this ceramic county with many of these small factories having now disappeared and little information regarding them remaining.
The potter, Richard Dudson, came from a family of potters and was also one of the great survivors, with a unique, unbroken history of over 200 years. Founded in 1800, the Dudson pottery has descended in a direct line ever since.
Illustrated is a very fine and elegant, mid 19thcentury, Dudson, pale blue and white, jasperware urn and cover as an accent lamp.
The pale blue jasper with classical decorative subjects in white jasper bas relief. The urn in neo classic style with deep swags suspended from rams heads, the swags interspersed with figures derived from classical antiquity, including Polymnia, goddess of music, song and dance, Winged Victory, Venus Victrix, Aesculapius, the god of healing, the goddess Venus and Andromache, the wife of the Trojan hero, Hector.
The upper border of the urn decorated with a continuous border of classical, white jasper, acorns and oak leaves. The neck and socle of the urn with a border of formal, stiff leaved, Acanthus. The urn with a domed cover, the knop modelled as an acorn.
This delightful little lamp in original. The lamp on an understated, custom made, gold plated, bronze stand.
This beautiful accent lamp shown with a gathered ivory silk shade overlaid with fine silk georgette, the bronze, gold plated finial, custom designed to reflect the acorn knop of the urn.
The ultimate lamp for a ladys writing desk, pretty enough to be called a confection! Circa 1850 Overall height including shade 19" / 48 cm
Richard Dudson was born in Staffordshire in 1768 into a typically rural economy with the Staffordshire potteries just coming into existence. Small market towns and villages were just a few miles apart. As the pottery industry began to grow, gradually the gaps between them began to narrow. At this time, place names such as Burslem, Etruria,